I found this lovely little number by the Monkees last Christmas and put it on my Mp3. It's a beautiful old Spanish Carol done acapella by the boys. They all have quite lovely voices and the harmonies in this carol are beautiful. I'd never heard this carol before. It was wonderful discovering a carol so beautiful that I'd never heard before. Here's Riu Riu Chiu as done by the Monkees in what could be called an early music video. Actually, one of the Monkees, Michael Naismith was one of the first producers of modern music videos.
If anyone has any suggestions for little known carols, drop me a note. I'd like to discover a new carol this Christmas. The older the better....
Once again, my second favorite singer in all the world (her Mama is
still my #1 favorite) with a song for Sabbath. I tell people Meghan got her singing ability
from me because her Mom still has hers. Actually, she got her perfect
pitch and lovely voice from the gene pool on her Mom's side. On my side
we play guitar and kind of hum along in the background because we've
been told not to sing too loud. It throws the others off. We tend to wander off key a lot. I've
gotten better at it, but Miss Sheila still has to stop up her ears
whenever I get musical.
Not so with Miss Meghan. I have a few
brief clips of the two of them singing together. One day I'll post them
on Youtube and here. In the meantime here's Meghan singing a lovely song
call Do They See Jesus in Me? Knowing my daughter, I think they can.
I love this Petra song. It's been a standard for youth song services where I've played. It's not hard to play and the words are quite lovely. My Primary Sabbath School kids requested The Coloring Song almost every week. We even got a bunch of rhythm band instruments and they used to do this drumbeat/cymbals sort of thing in time with the song. It gave it a Celtic kind of sound. All we needed was for someone to learn the recorder line for the opening and chorus.
I found this fun thing on Youtube. I like Elvis Presley's "All Shook Up". I drove our supervisor nuts when I worked at Brandom's Cabinet Mfg. back home in Keene. I think I've already told this story, but it bears repeating. I only worked at Brandom's a few months during a brief time of desperation and unemployment. Our lady foreman for the framing department wouldn't allow us to listen to the radio while we were working so the guy next to me and I taped the words to Elvis songs on our work boards and merrily framed cabinets while singing Heartbreak Hotel and All Shook Up. She tried to force us to stop, but management wouldn't allow her to stifle our creativity. They noticed we worked faster when we were singing.
This is the slower original version which I think was way better than the one he sang during his later years where he rushed it and always seemed to be in a hurry to get through it. I liked it better when he sang it like he wasn't tired of the song. Maybe he figured he was running out of time. Turns out he was.
This cherubic Swedish-American gospel singer, Evie Tornquist, introduced me to this lovely little song. I've played guitar for other singers for church services over the years and it was a favorite we sang for youth song services. This is another one that makes me all weepy. Here's "Give Them All to Jesus".
This lovely old song by Charlotte Elliott with music by William B. Bradburywas originally written in 1835 and published in 1836 in a hymnal she edited. Charlotte related later that she was troubled about her own salvation. She often comforted herself by writing verse. She took pen and paper from a nearby table and deliberately set down to write what she later called "the formulae of her faith." In this familiar altar call hymn, Charlotte restated the Gospel of pardon, peace, and heaven.
I remember this hymn fondly from the ministry of former Voice of Prophecy Quartet singer, John Thurber. Brother John taught his Adventist Youth in Action (AYA) teams and the kids who came to youth meetings how to sing this song. He always got amazing harmony out of us. This song in particular used to really reach me.
On May 1, 1971, Brother John baptized me in the swimming pool at Jefferson Academy - Just as I was. Here's Michael W. Smith's rendition of this lovely hymn at the funeral of Billy Graham. This song was the altar call at the 1934 revival meeting at which Billy Graham came forward and was converted. The song became Graham's traditional altar call song throughout his career as an evangelist.
This old folk song shows up a lot in the folk singer community, especially among Irish folk singers. But sometimes pop singers pull up an old folk tune and red-headed comedian Danny Kaye used to sing songs like Molly Malone in his movies and radio appearances. He had that lovely Irish tenor voice that set these songs perfectly.
I especially like poignant sweet melodies like this one. I think it probably inspired The Beatles song, Obla Di, Obla Da which also features a barrow wheeling daughter of fish-mongers. Danny Kaye movies are some of my favorites, but I love listening to him sing too. There's another Danny Kaye melody by his wife Sylvia Fine called Darlin Meggie. I had to go to the Library of Congress to get that video. Enjoy these two beautiful songs.