I love this Petra song. It's been a standard for youth song services where I've played. It's not hard to play and the words are quite lovely. My Primary Sabbath School kids requested The Coloring Song almost every week. We even got a bunch of rhythm band instruments and they used to do this drumbeat/cymbals sort of thing in time with the song. It gave it a Celtic kind of sound. All we needed was for someone to learn the recorder line for the opening and chorus.
I found this fun thing on Youtube. I like Elvis Presley's "All Shook Up". I drove our supervisor nuts when I worked at Brandom's Cabinet Mfg. back home in Keene. I think I've already told this story, but it bears repeating. I only worked at Brandom's a few months during a brief time of desperation and unemployment. Our lady foreman for the framing department wouldn't allow us to listen to the radio while we were working so the guy next to me and I taped the words to Elvis songs on our work boards and merrily framed cabinets while singing Heartbreak Hotel and All Shook Up. She tried to force us to stop, but management wouldn't allow her to stifle our creativity. They noticed we worked faster when we were singing.
This is the slower original version which I think was way better than the one he sang during his later years where he rushed it and always seemed to be in a hurry to get through it. I liked it better when he sang it like he wasn't tired of the song. Maybe he figured he was running out of time. Turns out he was.
This cherubic Swedish-American gospel singer, Evie Tornquist, introduced me to this lovely little song. I've played guitar for other singers for church services over the years and it was a favorite we sang for youth song services. This is another one that makes me all weepy. Here's "Give Them All to Jesus".
This lovely old song by Charlotte Elliott with music by William B. Bradburywas originally written in 1835 and published in 1836 in a hymnal she edited. Charlotte related later that she was troubled about her own salvation. She often comforted herself by writing verse. She took pen and paper from a nearby table and deliberately set down to write what she later called "the formulae of her faith." In this familiar altar call hymn, Charlotte restated the Gospel of pardon, peace, and heaven.
I remember this hymn fondly from the ministry of former Voice of Prophecy Quartet singer, John Thurber. Brother John taught his Adventist Youth in Action (AYA) teams and the kids who came to youth meetings how to sing this song. He always got amazing harmony out of us. This song in particular used to really reach me.
On May 1, 1971, Brother John baptized me in the swimming pool at Jefferson Academy - Just as I was. Here's Michael W. Smith's rendition of this lovely hymn at the funeral of Billy Graham. This song was the altar call at the 1934 revival meeting at which Billy Graham came forward and was converted. The song became Graham's traditional altar call song throughout his career as an evangelist.
